Orlando




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Customer Review


Part man, part woman, all good
This is an amazing, ironic film, based upon Virginia Woolf's whimsically mock-serious epic about an immortal English lord, who experiences 400 years of history, changes his sex to that of a woman after refusing to participate in warfare (a feminist point that is subtly made), and never bores or condescends to us. What surprised me when I first saw it is how dry, boring and pompous it isn't; the film has a nice lightness and dry humor that make it digestible. The photography is beautiful and the film never drags, and the performances, which a lot of critics have suggested are somewhat two-dimensional, are that way for a reason: Orlando's adventure is too awesome to be rendered realistically; the people and adventures she experiences are meant, I think, to be represented symbolically---each character is actually a rough composite of perhaps hundreds of such types she meets in her journey from 1600 to 2000. Billy Zane, who is seen in the movie's poster, plays an American adventurer who...
Top to learn more





One of my favorites.
Finally got this one on DVD after nearly wearing out my VHS copy. Sally Potter is one of the best directors and of course Tilda Swinton in the title role is mesmerizing in every way. Although a sharp departure from Virginia Woolf's source material, it retains the spirit and scope of the novel. Orlando's tranformation from man to woman half way through is a beautiful moment. Swinton proudly naked and observing herself in the mirror looks directly into the camera and says "no difference really, just a different sex" it brilliantly blurs the line between what it means to be a man and woman. And when I say blur, I mean it in a good way. The gender, sexual orientation and race lines all need to be blurred until they disappear. Orland is a good salvo in that war.
Top to learn more






Product Description

Tilda Swinton, Billy Zane and Quentin Crisp star in this "hip, sexy and wickedly funny" film based on the gender-bending novel by Virginia Woolf. Swinton stars as Orlando, an English nobleman who defies the law of nature with surprising results. Immortal and highly imaginative, he undergoes a series of extraordinary transformations which humorously and hauntingly illustrate the eternal war between the sexes. Visually stunning and beautifully acted, Orlando is an intoxicating blend of romance, adventure and illusion. Top to learn more



Breathtaking and practically nondiscursive, Sally Potter's audacious Orlando overcomes some dodgy performances and a narrative structure that could most generously be described as "loose" to emerge as a haunting, discussion-provoking trans-historical and transsexual drama. Commanded never to age by Queen Elizabeth (played with surprisingly little camp by legendary cross-dresser Quentin Crisp), the title character becomes immortal; we then follow Orlando through 400 years of dreamlike British history. Midway through the film, Orlando changes genders--to Potter's immense credit, the transformation is handled with little fanfare and no explanation. Tilda Swinton, in the lead role, is far more convincing as a woman than as a man, and even during the film's latter half, her impassivity and lack of expression can be annoying. Potter encourages Swinton to play to the camera, and the resulting asides and glances askance can be amusing, but often seem purposeless, or even arch. Nevertheless, the willful idiosyncrasy and understatement of the film never quite capsize the project, and once you give yourself over to the filmmaker's logic, the panoramic sweep of the cinematography (remarkable sets include an aristocratic skating party on the frozen Thames during the Great London Frost of 1603, a stunning tent-caravan in Central Asia, and countless fastidious boudoirs and interiors) will surely keep you enraptured. Orlando is no Merchant-Ivory production, no prissy, forgettable period piece; this film has teeth, and it may bite ferociously when you least expect it to. Based on, but scarcely resembling, the Virginia Woolf modernist classic of the same name. --Miles Bethany Top to learn more



A charming farce of androgynous exploration....
First let it be said that while I love the film Orlando it is simply impossible to get all the themes and events of the novel into one movie, so I strongly urge all viewers, whether they loved or hated this movie, to read the book, Virginia Woolf's unique love letter to Vita Sackville-West.The inevitable failings involved in translating a book into a film aside, 'Orlando' is visually exsquisite, the costumes and locations sumptuous and splendid, fully evoking the decadance and contrasting squalor of the centuries in which Orlando lives his/her life. The score perfectly compliments the surroundings, the atmosphere and the themes of each scene, and is beautifully composed and performed.Though some have expressed doubts over Tilda Swinton's ability to play Orlando, the aristocrat born as man who turns into a woman half way through his/her life, I thought she was the perfect choice. I believe knowing she is a woman initially taints people's ability to find her convincing as a man;...
Top to learn more







Orlando (Annotated): A Biography




Regular Price: $15.00 |
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Customer Review


"The very fabric of life was magic."
In her most playful and exuberant novel, Virginia Woolf writes the "historical biography" of Orlando, a young boy of nobility during the reign of Queen Elizabeth I. A wild ride through four centuries, the novel shows Orlando aging, magically, only thirty-six years between 1588 and 1928. Even more magically, he also changes from a man to a woman. As she explores Orlando's life, Woolf also explores the differing roles of men and women in society during various periods, ultimately concluding that one's role as a man or woman is determined by society, rather than by birth.From the Elizabethan period, during which Orlando works as a steward for the queen and also serves as her lover, he progresses to the reign of James I, experiencing a profound love for a Russian princess, Sasha, who is herself exploring the role of a man. When the relationship ends, he retreats, devastated, to his estate, with its 365 rooms and 52 staircases, which he redecorates over the next few years. An...
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I shall dream wild dreams
No lover in the world ever wrote a valentine more exquisite than Virginia Woolf's tribute to her lover Vita Sackville-West. That tribute was "Orlando: A Biography," a magical-realism tale about a perpetually youthful, charming hero/ine who traverses three centuries and both genders -- and Woolf's writing reaches a new peak as she explores the hauntingly sensuous world of Orlando.Orlando was born a young aristocratic man in the time of Queen Elizabeth I, and when the dying monarch visited his home she became his new court favorite (and briefly lover). His passionate, curious personality attracted many other women over the years -- until he fell in love with Sasha, a mercurial but faithless Russian princess (supposedly based on Sackville-West's ex-girlfriend). Bereft of true love, he devoted himself to poetry and entertainment.But then he's assigned to be an ambassador to Constantinople, and something strange happens -- while a bloody revolution rages, he sleeps...
Top to learn more





A glorious evisceration of the social norms comprising gender
An absolutely magnificent book about a young nobleman in the time of Queen Elizabeth I, who, by mid-book somehow transforms into a woman. This florid and eloquently-written novel closely examines the nature of sexuality, gender and changing social values over several centuries. Not a transgender book, per se, but a glorious evisceration of the social norms that comprise our gender. Those who have an interest in the transgender arena will particularly appreciate and revel in the author's cutting insights. The irony and humor in this book is absolutely brilliant. Stick with it through the first half as it all comes together to make incredible sense.
Top to learn more






Product Description

Begun as a "joke," Orlando is Virginia Woolf's fantastical biography of a poet who first appears as a sixteen-year-old boy at the court of Elizabeth I, and is left at the novel's end a married woman in the year 1928. Part love letter to Vita Sackville-West, part exploration of the art of biography, Orlando is one of Woolf's most popular and entertaining works. This new annotated edition will deepen readers' understanding of Woolf's brilliant creation.

Annotated and with an introduction by Maria DiBattista
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Orlando




Price with discount: $2.99 |
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Customer Review


... because this is England, everyone pretends not to notice
No lover in the world ever wrote a valentine more exquisite than Virginia Woolf's tribute to her lover Vita Sackville-West, "Orlando."And few movie adaptations are as coyly, exquisitely lovely as the 1992 movie adapted from that book, a magical-realism tale about a perpetually youthful, charming hero/ine who traverses three centuries and both genders. Tilda Swinton has the right combination of androgyny and intelligence to perfectly embody Orlando, and director Sally Potter gilds and perfumes every set and costume.Orlando (Swinton) was born a young aristocratic man in the time of Queen Elizabeth I, and when the dying monarch visited his home she became his new court favorite. She also bid him, "Do not fade, do not wither, do not grow old."And Orlando did as she said. With the death of the queen and his father, Orlando's passionate, curious personality attracted many women -- and during the Great Freeze he fell in love with Sasha, a mercurial Russian...
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beautiful film!
Visually stunning, very entertaining! Tilda Swinton in mesmerizing in this film that spans centuries. If you're a period movie buff (like me), you'll love this one! Plus the story line is awesome, based on the book by Virginia Woolf. Pretty much the opposite of Jane Austen!!!
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Orlando (Annotated): A Biography




Regular Price: $15.00 |
Got a Question for me?

Powered by Aol.com
 




Dear visitor! This website has been designed to help you find THE BEST PRICE. When you are ready to buy, your payment will be processed through one of the most TRUSTED SUPPLIERS directly.
Thank you for shopping with us!


Customer Review


"The very fabric of life was magic."
In her most playful and exuberant novel, Virginia Woolf writes the "historical biography" of Orlando, a young boy of nobility during the reign of Queen Elizabeth I. A wild ride through four centuries, the novel shows Orlando aging, magically, only thirty-six years between 1588 and 1928. Even more magically, he also changes from a man to a woman. As she explores Orlando's life, Woolf also explores the differing roles of men and women in society during various periods, ultimately concluding that one's role as a man or woman is determined by society, rather than by birth.From the Elizabethan period, during which Orlando works as a steward for the queen and also serves as her lover, he progresses to the reign of James I, experiencing a profound love for a Russian princess, Sasha, who is herself exploring the role of a man. When the relationship ends, he retreats, devastated, to his estate, with its 365 rooms and 52 staircases, which he redecorates over the next few years. An...
Top to learn more





I shall dream wild dreams
No lover in the world ever wrote a valentine more exquisite than Virginia Woolf's tribute to her lover Vita Sackville-West. That tribute was "Orlando: A Biography," a magical-realism tale about a perpetually youthful, charming hero/ine who traverses three centuries and both genders -- and Woolf's writing reaches a new peak as she explores the hauntingly sensuous world of Orlando.Orlando was born a young aristocratic man in the time of Queen Elizabeth I, and when the dying monarch visited his home she became his new court favorite (and briefly lover). His passionate, curious personality attracted many other women over the years -- until he fell in love with Sasha, a mercurial but faithless Russian princess (supposedly based on Sackville-West's ex-girlfriend). Bereft of true love, he devoted himself to poetry and entertainment.But then he's assigned to be an ambassador to Constantinople, and something strange happens -- while a bloody revolution rages, he sleeps...
Top to learn more





A glorious evisceration of the social norms comprising gender
An absolutely magnificent book about a young nobleman in the time of Queen Elizabeth I, who, by mid-book somehow transforms into a woman. This florid and eloquently-written novel closely examines the nature of sexuality, gender and changing social values over several centuries. Not a transgender book, per se, but a glorious evisceration of the social norms that comprise our gender. Those who have an interest in the transgender arena will particularly appreciate and revel in the author's cutting insights. The irony and humor in this book is absolutely brilliant. Stick with it through the first half as it all comes together to make incredible sense.
Top to learn more






Product Description

Begun as a "joke," Orlando is Virginia Woolf's fantastical biography of a poet who first appears as a sixteen-year-old boy at the court of Elizabeth I, and is left at the novel's end a married woman in the year 1928. Part love letter to Vita Sackville-West, part exploration of the art of biography, Orlando is one of Woolf's most popular and entertaining works. This new annotated edition will deepen readers' understanding of Woolf's brilliant creation.

Annotated and with an introduction by Maria DiBattista
Top to learn more




Orlando: A Biography




Regular Price: $14.00 |
Got a Question for me?

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Dear visitor! This website has been designed to help you find THE BEST PRICE. When you are ready to buy, your payment will be processed through one of the most TRUSTED SUPPLIERS directly.
Thank you for shopping with us!


Customer Review


A gender-bending saga of three centuries
"Orlando" is a fictional biography whose subject in the beginning is a sixteen-year-old boy in the Elizabethan era and in the end -- three hundred years later -- is a thirty-six-year-old woman. This is not a novel about transsexuality, as such a premise would indicate, but it is a statement about sexual identity and gender roles in English society as only an author like Virginia Woolf could make, territory not even the brazen D.H. Lawrence could traverse with much confidence. It is a lyrical tour de force in which Woolf displays her considerable talent for subtly describing moods and scenery, but most surprisingly, it demonstrates her sly sense of humor and satire. Orlando's gender alteration is naturally the central event of his preternaturally long life, but his aging only twenty years over a course of three centuries is certainly no less bizarre. To describe the circumstances under which he becomes a woman or explain the logic by which he ages so slowly would be giving away...
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Looking for something good to read? Check this one out...
John Irving ("World According to Garp") wrote an essay onCharles Dickens book "Great Expectations" in which he saidthat that book was the first book he had ever read that he wished he had written. For me the first book that I had read that I wished I had written is "Orlando" by Virgina Woolf. It blew me away. I had seen the movie version a few years ago, and recently found it in a bookstore, so I decided to check it out. It's subtitle is "A Biography" and although it is based (very loosely, I'm sure) on someone's actual life, it becomes clear to the reader that this is definitely a work of fiction. The reason that I enjoyed it so much is, well, let me put it this way...Charles Dickens and John Irving were and are storytellers, very wonderful, brilliant storytellers, but Virgina Woolf is (well, was) an amazing artist. I don't go for poetry that much, I'm a...
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A wild tromp through literary history
Orlando is simply wonderful. In the novel, Woolf uses the character of Orlando, a person who lives through four centuries as man sometimes and woman sometimes. The term biography might throw you, since Orlando is no normal biography. Woolf personifies literary thought as a person (hence the timelessness and gender changing capability). She depicts Elizabethan times through the early twentieth century with wit and sarcasm. The more that you've read of English literature from Shakespeare forward the more you will catch the little jokes and the reason for why certain things happen. A very enjoyable read. The film version is not exactly the same, so I recommend sticking to the book.
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Product Description

In her most exuberant, most fanciful novel, Woolf has created a character liberated from the restraints of time and sex. Born in the Elizabethan Age to wealth and position, Orlando is a young nobleman at the beginning of the story-and a modern woman three centuries later. “A poetic masterpiece of the first rank” (Rebecca West). The source of a critically acclaimed 1993 feature film directed by Sally Potter. Index; illustrations.
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In 1928, way before everyone else was talking about gender-bending and way, way before the terrific movie with Tilda Swinton, Virginia Woolf wrote her comic masterpiece, a fantastic, fanciful love letter disguised as a biography, to Vita Sackville-West. Orlando enters the book as an Elizabethan nobleman and leaves the book three centuries and one change of gender later as a liberated woman of the 1920s. Along the way this most rambunctious of Woolf's characters engages in sword fights, trades barbs with 18th century wits, has a baby, and drives a car. This is a deliriously written, breathless-making book and a classic both of lesbian literature and the Western canon. Top to learn more




Orlando [Blu-ray]



Regular Price: $26.99 |
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Dear visitor! This website has been designed to help you find THE BEST PRICE. When you are ready to buy, your payment will be processed through one of the most TRUSTED SUPPLIERS directly.
Thank you for shopping with us!


Customer Review


Part man, part woman, all good
This is an amazing, ironic film, based upon Virginia Woolf's whimsically mock-serious epic about an immortal English lord, who experiences 400 years of history, changes his sex to that of a woman after refusing to participate in warfare (a feminist point that is subtly made), and never bores or condescends to us. What surprised me when I first saw it is how dry, boring and pompous it isn't; the film has a nice lightness and dry humor that make it digestible. The photography is beautiful and the film never drags, and the performances, which a lot of critics have suggested are somewhat two-dimensional, are that way for a reason: Orlando's adventure is too awesome to be rendered realistically; the people and adventures she experiences are meant, I think, to be represented symbolically---each character is actually a rough composite of perhaps hundreds of such types she meets in her journey from 1600 to 2000. Billy Zane, who is seen in the movie's poster, plays an American adventurer who...
Top to learn more





One of my favorites.
Finally got this one on DVD after nearly wearing out my VHS copy. Sally Potter is one of the best directors and of course Tilda Swinton in the title role is mesmerizing in every way. Although a sharp departure from Virginia Woolf's source material, it retains the spirit and scope of the novel. Orlando's tranformation from man to woman half way through is a beautiful moment. Swinton proudly naked and observing herself in the mirror looks directly into the camera and says "no difference really, just a different sex" it brilliantly blurs the line between what it means to be a man and woman. And when I say blur, I mean it in a good way. The gender, sexual orientation and race lines all need to be blurred until they disappear. Orland is a good salvo in that war.
Top to learn more






Product Description

Tilda Swinton, Billy Zane, and Quentin Crisp star in this "hip, sexy and wickedly funny" film based on the gender-bending novel by Virginia Woolf. Swinton stars as Orlando, an English nobleman who defies the law of nature with surprising results. Immortal and highly imaginative, he undergoes a series of extraordinary transformations which humorously and hauntingly illustrate the eternal war between the sexes. Visually stunning and beautifully acted, Orlando is an intoxicating blend of romance, adventure and illusion. Top to learn more



Breathtaking and practically nondiscursive, Sally Potter's audacious Orlando overcomes some dodgy performances and a narrative structure that could most generously be described as "loose" to emerge as a haunting, discussion-provoking trans-historical and transsexual drama. Commanded never to age by Queen Elizabeth (played with surprisingly little camp by legendary cross-dresser Quentin Crisp), the title character becomes immortal; we then follow Orlando through 400 years of dreamlike British history. Midway through the film, Orlando changes genders--to Potter's immense credit, the transformation is handled with little fanfare and no explanation. Tilda Swinton, in the lead role, is far more convincing as a woman than as a man, and even during the film's latter half, her impassivity and lack of expression can be annoying. Potter encourages Swinton to play to the camera, and the resulting asides and glances askance can be amusing, but often seem purposeless, or even arch. Nevertheless, the willful idiosyncrasy and understatement of the film never quite capsize the project, and once you give yourself over to the filmmaker's logic, the panoramic sweep of the cinematography (remarkable sets include an aristocratic skating party on the frozen Thames during the Great London Frost of 1603, a stunning tent-caravan in Central Asia, and countless fastidious boudoirs and interiors) will surely keep you enraptured. Orlando is no Merchant-Ivory production, no prissy, forgettable period piece; this film has teeth, and it may bite ferociously when you least expect it to. Based on, but scarcely resembling, the Virginia Woolf modernist classic of the same name. --Miles Bethany Top to learn more



A charming farce of androgynous exploration....
First let it be said that while I love the film Orlando it is simply impossible to get all the themes and events of the novel into one movie, so I strongly urge all viewers, whether they loved or hated this movie, to read the book, Virginia Woolf's unique love letter to Vita Sackville-West.The inevitable failings involved in translating a book into a film aside, 'Orlando' is visually exsquisite, the costumes and locations sumptuous and splendid, fully evoking the decadance and contrasting squalor of the centuries in which Orlando lives his/her life. The score perfectly compliments the surroundings, the atmosphere and the themes of each scene, and is beautifully composed and performed.Though some have expressed doubts over Tilda Swinton's ability to play Orlando, the aristocrat born as man who turns into a woman half way through his/her life, I thought she was the perfect choice. I believe knowing she is a woman initially taints people's ability to find her convincing as a man;...
Top to learn more





BUY Orlando [Blu-ray]



Buy Orlando


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That’s roughly a quarter of the $32 million that the Democratic Congressional Campaign Committee , which oversees U. S. House races, plans to spend nationally for advertising and a key Florida target is the Orlando market. Crider, of the DCCC, said one reason why the group decided to reserve time in Florida early is because it’s one of several presidential swing states that will be heavily targeted by both party’s campaigns and it’s cheaper to reserve the time now... Alan Grayson , D-Orlando, raised far more than he did, but Webster, with the help of millions of dollars in outside spending, won handily. The DCCC money could help mitigate a repeat of that scenario, but officials didn’t specify which races they plan to intervene in. “It could be used for any combination of races … there’s no guarantee of where and when,” said Jennifer Crider, a... Outside Orlando, the DCCC has reserved $2. Most notably, former Orlando police chief Val Demings , a Democrat, is challenging freshman U. S. Rep. Demings more than doubled Webster’s fundraising to start the year, with a roughly $330,000 haul, but Webster has lost the money race before and won Election Day. WASHINGTON — National Democrats are planning an airwave assault in Florida this year with one arm of the party reserving $8. Grayson, however, has been a prolific fundraiser and the district leans Democrat so it’s uncertain whether DCCC money would make a difference. We are pleased that the Democratic Party is planning to help him in return,” said Todd Jurkowski , the campaign’s treasurer and spokesman, in a statement.

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Orlando News


 
  • Comcast still pondering offer to buy Blackstone half of Universal Orlando


    The new parent company of media conglomerate NBCUniversal said Wednesday it has not yet decided whether it will buy the Blackstone Group's half of Universal Orlando. Comcast Corp. has until June 12 to accept an offer

  • New star-driven NBA is bad for teams, business


    That includes the Orlando Magic, who probably had their exit interviews a little earlier than planned, unexpectedly losing to the Atlanta Hawks in the first round of the Eastern Conference Playoffs. Thanks to that quick departure,

  • Allegiant Air Looks at International Destinations and Loyalty Program


    Allegiant is looking at the possibility of adding flights to Mexico and Canada via Las Vegas and Orlando. Allegiant hopes to have a fleet of six Boeing 757s to supplement their fleet of MD-80 aircraft by the end of 2012.

 
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